Derrida Reads Shakespeare

Derrida Reads Shakespeare

Albano-Waite(r) Tarot Deck

Pamela Colman Smith's artwork was pumped up with vibrant colors by Frankie Albano. The deck was originally published in 1968 and went out of print just a few years later. There was sufficient demand for this deck so U.S. Games Systems re-issued a facsimile deck from the original in 1991 and it has remained a staple for tarot collectors since. The colors are bright with lots of purples and greens, which help readers focus on details they might have otherwise missed. The background of the Minor Arcana are color-coded. The Cups feature light blue-green, the Wands are orange, the Pentacles lime green, and the Swords yellow. This is a vivid deck that appeals to those nostalgic for the psychedelic sixties or who appreciate the 'wow' factor.

Memory, Forgetting and the Moving Image

Throughout this book we discover what our idea of memory would be without the moving image. This thought provoking analysis examines how the medium has informed modern and contemporary models of memory. The book examines the ways in which cinemati...

Out of Breath

Explores the intrinsic relation of life to air, and breathing, through contemporary art In Out of Breath, Caterina Albano examines the cultural significance of breath and air to a wide array of forces in our midst, including economy, politics, inf...

Derrida Reads Shakespeare

Derrida Reads Shakespeare

Moral Psychology

Moral psychology is the systematic inquiry into how morality works, when it does work, and breaks down when it doesn't work. In this comprehensive new textbook, Mark Alfano outlines the five central concepts in the study of moral psychology: agenc...

Nietzsche's Moral Psychology

Nietzsche's Moral Psychology

Character as Moral Fiction

Character as Moral Fiction

Hayat Hanim

Hayat Hanim är namnet på en oförglömlig karaktär och en kvinna som försöker hallå fast vid livet i ett samhälle där allt förfaller. Romanen får oss att tro på kärlekens kraft. Författaren har fått beröm av krtitiker utanför Turkiet och vunnit Femina Foreign Fiction Award 2021 och 2021 Transfuge Best European Novel Award.

Endgame

A man retires to a sun-baked Turkish town for a quiet life. What he finds is a world of suspicion, paranoia and violence. In a community of shady local officials, corrupt businessmen and a crooked police force, our narrator's life spins into chaos...

Jag kommer aldrig mer se världen : en fängslad författares memoarer

I sin utsmugglade fängelsememoar reflekterar Altan över sin dom och över sitt liv; det liv som nu krympts till att endast omfatta en gallerförsedd rastgård. Men också över hur det hopp och den tröst som litteraturen skänker kan hitta in till...

Madame Hayat

På ett plan handlar Madame Hayat om en ung man, Fazil, som efter sin fars död lämnar hemstaden för att studera. Han hyr in sig på ett pensionat och jobbar extra som statist på teveinspelningar. Där träffar han två kvinnor som kommer att förä...

Lady Life

A magnificent coming-of-age story about freedom and desire by the acclaimed author of I Will Never See the World Again. Winner of the Prix Femina Étranger. Istanbul is changing, its society decomposing. When his father dies, Fazil learns that one'...

The Law and Economics of Framework Agreements

The Law and Economics of Framework Agreements

Immersive Storytelling and Spectatorship in Theatre, Museums, and Video Games

Immersive Storytelling and Spectatorship in Theatre, Museums, and Video Games is the first volume to explore immersion as it is experienced in all three of these storytelling forms: the theatre, museums and historic sites, and video games. It theorizes what it means for a work to be called immersive and how immersion impacts audience experience in each of these modes. The presentation of story is deepened when it involves the spectator in an immersive way. Author Kelly I. Aliano concentrates on the central idea that the use of immersion in each medium allows the story being told to feel present for the spectator. It puts them at the center of the experience, making its events for and about them. Throughout, the book discusses how immersion is employed to make narrative feel more resonant and relevant for the audience. Analyzing the impact of offering a first-hand experience of story events, this book looks at how immersive storytelling can highlight the ways in which we can interact

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