Prosody in Conversation
The essays in this volume are all original contributions dealing in one way or another with the analysis of prosody - primarily intonation and rhythm - and the role it plays in everyday conversation. They take as their methodological starting poin...
Syntax-Prosody in Optimality Theory
Syntax-Prosody in Optimality Theory
The Oxford Handbook of Language Prosody
This handbook presents detailed accounts of current research in all aspects of language prosody, written by leading experts from different disciplines. The last four decades have seen major theoretical and empirical breakthroughs in the field, man...
On L1 Attrition and Prosody in Pronominal Anaphora Resolution
This thesis is a collection of four studies on pronominal anaphora resolution with a focus on first language (L1) attrition and prosody. In Study I, we explored the temporariness of attrition effects on anaphora resolution in L1 Italian speakers who moved to Sweden after puberty (i.e., late bilinguals). An experimental group of 20 late Italian-Swed
Intonation in Romance
This book offers the first comprehensive description of the prosody of nine Romance languages that takes into account internal dialectal variation. Teams of experts examine the prosody of Catalan, French, Friulian, Italian, Occitan, Portuguese, Ro...
Sensorimotor Psychotherapy
The body's intelligence is largely an untapped resource in psychotherapy, yet the story told by the "somatic narrative"-- gesture, posture, prosody, facial expressions, eye gaze, and movement -- is arguably more significant than the stor...
Communicative Functions and Linguistic Forms in Speech Interaction: Volume 156
Prosody is generally studied at a separate linguistic level from syntax and semantics. It analyses phonetic properties of utterances such as pitch and prominence, and orders them into phonological categories such as pitch accent, boundary tone, an...
Communicative Functions and Linguistic Forms in Speech Interaction: Volume 156
Prosody is generally studied at a separate linguistic level from syntax and semantics. It analyses phonetic properties of utterances such as pitch and prominence, and orders them into phonological categories such as pitch accent, boundary tone, an...
Complete Poems
The startling originality of Emily Dickinson's style condemned her poetry to obscurity during her lifetime, but her bold experiments in prosody, her tragic vision, and the range of her intellectual and emotional explorations have since won her int...
Seeds in the Heart
Donald Keene employs his prodigious wealth of knowledge, critical insight, and narrative aplomb to guide readers through the first nine hundred years of Japanese literature-a period that not only defined the unique properties of Japanese prosody a...
Textures
Suburban and cosmopolitan, youthful and elderly, formal and experimental these binaries twist like threads which meet in this anthology, and interweave on the loom of prosody, forming rich and varied textures, Few can craft poems with the skill of...
Poetic Designs
There are numerous introductions to poetry and prosody available, but none at once so comprehensive and so accessible as this. With the increasing emphasis on free verse, the past generation has developed a widespread impression that the study of ...
French Dislocation
The pervasive use of dislocations (as in Le chocolat, c'est bon) is a key characteristic of spoken French. This book offers various new and well-motivated insights, based on tests conducted by the author, on the syntactic analysis, prosody, and th...
Poetic Machinations
The shape, lineation, and prosody of postmodern poems are extravagantly inventive, imbuing both form and content with meaning. Through a survey of American poetry and poetics from the end of World War II to the present, Michael Golston traces the ...
Signs and Abominations
Signs and Abominations is a radical tour de force that interrogates the relationship between religion and art at the end of the 20th century in penetrating and sensuous prosody. It can be read as a series of damaged likenesses: humans as the damag...
The Sounds of Poetry Viewed as Music
Poets, literary critics, and lovers of poetry often speak of the “music of poetry.” The Sounds of Poetry Viewed as Music gives substance to the metaphor by building on recent research in linguistics and music theory to propose a theory of the sounds of poetry conceived in musical terms. It develops a rule-based methodology for assigning normative readings to the rhythms and contours of poetic lines. Each component of the theory is compared to earlier treatments both in traditional prosody and in generative metrics and intonational phonology. The theory’s predictions correspond well to recorded readings by poets and actors. The book also advances an original hierarchical treatment of syllabic rhyme, alliteration, and assonance. The Sounds of Poetry Viewed as Music is an interdisciplinary project. In reconceiving prosody in musical terms, it offers a detailed treatment of the cognitive organization of poetic sounds, and by implication it supports the claim that music and language have a
Interactional Humor
The central question explored in this volume is: How is humor multimodally produced, perceived, responded to, and negotiated? To this end, it offers a panorama of linguistic research on multimodal and interactional humor, based on different theoretical frameworks, corpora, and methodologies. Humor is considered as an activity that is interactionally achieved, regardless of whether the interaction in which it is embedded is face-to-face, computer-mediated, with a human or a robot, oral or written. The aim is to analyze both the linguistic resources of the participants (such as their lexicon, prosody, gestures, gazes, or smiles) and the semiotic resources that social networks and instant messaging platforms offer them (such as memes, gifs, or emojis).
An Introduction to the Study of Medieval Latin Versification
Dag Norberg's analysis and interpretation of medieval Latin versification, which was published in French in 1958 and remains the standard work on the subject, appears in English with a detailed, scholarly introduction by Jan Ziolkowski that reviews developments since its initial publication. Norberg examines various themes of medieval Latin metrics and proposes his own empirical solutions. His interpretation attempts to bring much-needed clarification to a controversial and misunderstood subject. In the first four chapters of the book, Norberg analyses the sometimes perplexing technical elements of medieval Latin metrics: prosody; accentuation; synaeresis; diaresis; prosthesis; elision; acrostics; assonance; rhyme; and alliteration. He then turns to some of the metrical devices of the poetry: acrostics and carmina figurata (shaped songs). Two chapters unravel the problems of quantitative and rhythmic verses. Two chapters are devoted to the fractious disputes among scholars over
Critical Rhythm
This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it's often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory. Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm's genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks' isolated
Stories of Shiva's Saints
Hampeya Harihara lived between the late twelfth and early thirteenth centuries in Hampe (a.k.a. Hampi) and wrote in Kannada, a language of the south-Indian Dravidian family. With the aim of reaching large segments of the population, Harihara set out to develop a new style of narrative literature in Kannada, one that introduced straightforward plotting, quotidian characters, moderate use of literary ornamentation, simple prosody, and highly emotional expressivity. The work he composed in this style, the Shivasharanara Ragalegalu ('Stories of Shiva's Saints Written in the Ragale Meter') inaugurated a new era in Kannada literature. As the first English translation of eighteen stories from this work, this book serves as an invitation to contemporary readers to enjoy and appreciate a text that is rich with religious fervor, antinomian social agendas, raucous characters, and gripping drama-but also delicate poetry and significant historical importance. Stories of Shiva's Saints reveals
A Midsummer Night’s Dream
The Annotated Shakespeare series enables readers to fully understand and enjoy the plays of the world’s greatest dramatist “Each volume . . . proves to be a splendid addition to the series.”—Tita French Baumlin, Southwest Missouri State University From the hilarious mischief of the elf Puck to the rough humor of the self-centered Bottom and his fellow players, from the palace of Theseus in Athens to the magic wood where fairies play, Shakespeare’s lyrical A Midsummer Night’s Dream is a play of enchantment and an insightful portrait of the predicaments of love. This extensively annotated edition makes Midsummer completely accessible to readers in the twenty-first century and provides a rich resource for students, teachers, and the general reader. Burton Raffel’s on-page annotations offer generous help with vocabulary and usage of Elizabethan English, pronunciation, prosody, and alternative readings of phrases and lines. In his introduction he explores the complexities of A
Hamlet
The Annotated Shakespeare series allows readers to fully understand and enjoy the rich plays of the world’s greatest dramatist “If any work deserves a student’s closest attention, it is Hamlet. Burton Raffel’s fully annotated edition is a teacher’s and student’s dream: the words are fully explained, and they get a wonderful essay by Harold Bloom as well.”—George Soule, Carleton College One of the most frequently read and performed of all stage works, Shakespeare’s Hamlet is unsurpassed in its complexity and richness. This fully annotated version of Hamlet makes the play completely accessible to readers in the twenty-first century. It has been carefully assembled, with students, teachers, and the general reader in mind. Eminent linguist and translator Burton Raffel offers generous help with vocabulary and usage of Elizabethan English, pronunciation, prosody, and alternative readings of phrases and lines. His on-page annotations provide readers with all the tools they need to
The Complete Poems of Emily Dickinson
This comprehensive and authoritative collection of all 1,775 poems by Emily Dickinson is an essential volume for all lovers of American literature. Only eleven of Emily Dickinson's poems were published prior to her death in 1886; the startling originality of her work doomed it to obscurity in her lifetime. Early posthumous published collections -- some of them featuring liberally 'edited' versions of the poems -- did not fully and accurately represent Dickinson's bold experiments in prosody, her tragic vision, and the range of her intellectual and emotional explorations. Not until the 1955 publication of The Complete Poems of Emily Dickinson, a three-volume critical edition compiled by Thomas H. Johnson, were readers able for the first time to assess, understand, and appreciate the whole of Dickinson's extraordinary poetic genius. This book, a distillation of the three-volume Complete Poems, brings together the original texts of all 1,775 poems that Emily Dickinson wrote. 'With its
Rhythm In Late-modern Stockholm - Social Stratification And Stylistic Varia
Stockholm, an iconically late-modern city, is home to Europe's first-known multiethnolect - Rinkeby Swedish. Swedish-language researchers describe the variety as staccato, but rhythm has not been thoroughly investigated for any variety of Stockholm Swedish to date. Not only does this study show that rhythm stratifies in the direction of staccato (low alternation) for the racialized working class, rhythm is also significantly high-alternation/non-staccato in the speech of the white working class. The former is interpreted to be a feature of multiethnolect; the latter a feature of Södersnack, Stockholm's industrial-era working-class variety. The higher classes produce an intermediate degree of rhythm in casual speech. Working-class formal speech appears to target upper-class casual speech. Within the racialized working class, a generational difference was found. Those born before 1983 mainly achieve staccato with a reduction of accented vowels. Those born after 1983 achieve it by enlarging unstressed vowels. The change point coincides with significant socio-historical transformations that occurred when the speakers were in adolescence. In all styles, younger speakers of any background have more staccato speech than older speakers of the same background. It is proposed that this is due to the diffusion of contact prosody, for which multiethnolect is one key conduit.