Blocking Kampfgruppe Pieper
In December 1944 an enormous German army group crashed through the thin American line in the Ardennes forest. Caught by surprise, the Allies were initially only able to throw two divisions of paratroopers to buttress the collapse - the 82nd Airborne, which was rushed to the area of St. Vith, and the 101st, which was trucked to Bastogne. After their successful campaign in Holland, Colonel Reuben Tucker’s elite 504th Parachute Infantry Regiment was resting and refitting in France when news came of the German breakthrough. Most dangerous to the Allies was the German spearhead of the 1st SS Panzer Division led by Jochen Peiper, which aimed to sever the Allied front. The 504th was committed to block the SS advance, and within 48 hours of their arrival Colonel Tucker's paratroopers were attacking the SS-Panzergrenadiers of Peiper’s battlegroup, eventually forcing them to withdraw. More ferocious fighting ensued as follow-up German units forced a U.S. retreat from St. Vith. In adverse
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Pieter Snayers
It remains a stroke of fortune that in the turbulent times of the 17th century with its numerous cultural and military upheavals the artistic depiction of human life took a similarly rapid and proliferous development. Never before in history had society in all its squalor and splendor been presented in so many pictures of outstanding artistic quality. At the end of the 16th century the Golden Age of Painting began to evolve especially in the Low Countries. Many contemporary paintings also show events from the Eighty Years War, the United Provinces' struggle for independence from Spain. However, an entire generation of artists also chose to paint events from the great European conflict which erupted at the same time: the Thirty Years War. Born in Antwerp, Pieter Snayers was a fairly typical representative of this generation of painters. From a military historian's point of view, his works are considered particularly authentic. Many of his paintings showing sieges betray meticulous care
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Pieter Bruegel
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