Artefacts of Legal Inquiry

Artefacts of Legal Inquiry

Neil MacCormick

Neil MacCormick

Law in Theory and History

This collection of original essays brings together leading legal historians and theorists to explore the oft-neglected but important relationship between these two disciplines. Legal historians have often been sceptical of theory. The methodology ...

Law in Theory and History

This collection of original essays brings together leading legal historians and theorists to explore the oft-neglected but important relationship between these two disciplines. Legal historians have often been sceptical of theory. The methodology ...

Virtue, Emotion and Imagination in Law and Legal Reasoning

What is the role and value of virtue, emotion and imagination in law and legal reasoning? These new essays, by leading scholars of both law and philosophy, offer striking and exploratory answers to this neglected question. The collection takes a h...

New Waves in Philosophy of Law

A collection of 11 cutting-edge essays by leading young scholars, challenging long-held assumptions and offering new research paradigms in Philosophy of Law -¿in five parts¿1) methodology/metatheory; 2) reasoning/evaluating; 3) values/the moral li...

Conducting Favourite Concert Pieces

This apparently haphazard collection of essays on the interpretation of more unusual concert pieces was chosen partly with a view to more imaginative programme planning, the other requirement being that each piece is by a composer whose output wou...

Anatomy of the Orchestra

The first (1981) edition of Anatomy of the Orchestra, Norman Del Mar's renowned treatise and study of orchestral practice, sold out within a year of its publication.

Richard Strauss

Presents the life and works of Richard Strauss. This book spans from 1934 to Strauss' death in 1949, taking in the last five operas, the late instrumental music, a variety of songs from early youth to the "Vier letzte Lieder", and conclu...

Richard Strauss

A work on Richard Strauss that spans the years 1912 to 1933 (the premiere of Arabella), taking in the Ariadne versions, Die Frau ohne Schatten, the ballets and much incidental music.

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